The other customers all develop the same symptoms simultaneously, and moan and groan in unison.
Finally, a hippopotamus with a bottomless pit appetite insists on more and more wheat cakes – until he finally reaches capacity – and the belly ache of the century. A knot of hands develops as everyone fights to pass the condiments (though some of the items sought after seem entirely inappropriate for use on wgeat cakes).
Koko manages to get something not on the meni – a bowl of soup, so cold the flies are skating on it. Bimbo and Koko are customers, along with a variety of other animals. Also included is”Rock a Bye Baby” as the Dirty Dozen doze off for the iris out.īetty Boop’s Bizzy Bee (8/29/32) – Betty is operating a lunch wagon, with a highly varied menu, consisting of one item over and over again – Wheat Cakes 10 cents. The King record was repressed in the 1940’s with the best shellac of the day, during the second Petrillo ban.
And dance band versions appeared by Ted Wallace and his Campus Boys on Columbia, Snooks and his Memphos Ramblers on Victor, Nick Lucas and his Crooning Troubadours (nominally leading a house band) on Brunswick, and Wayne King on Victor. Chick Bullock covered it for Perfect et al. “Hello, Beautiful” is the Chevalier tribute, recorded by him for Victor. “I’m an Indian” is Betty’s tribute to Fanny Brice, a number which appeared in the Ziegfield Follies of 1922.
#Happy birthday betty boop red hair plus
“That’s My Weakness Now” is presented in impersonation of Helen Kane, recorded by Kane on Victor, Cliff Edwards for Columbia, Jack Kaufman on Edison Diamond Disc, and for dancing by Nat Shilkret and the Victor Orchestra on Victor, Paul Whiteman on Columbia featuring both Bix Beiderbecke and Bing Crosby and the Rhythm Boys, and Abe Lyman on Brunswick, plus a British version by Jack Hylton.on HMV. The first song heard on the track is a reprise of “Sweet Betty”, sung by a different tenor than in “Boop Boop a Doop”. The next on the bill, an acrobatic act known as “the Dirty Dozen”, cannot figuratively get a word in edgewise, as the audience just wants Betty – so the group ends the performance in a balanced stack of bunk beds, all soundly asleep. Betty attracts the interest of the audience. It would seem that the edits were somehow a by-product of the lawsuit. An edit has been made to surviving prints as to the first celebrity picture and voice – which would appear to have been none other than Helen Kane – despite her later lawsuit against the Fleischers for allegedly “stealing” her persona.
Betty’s impressions are announced by the artists being imitated, from a megaphone placed against their images on a signboard easel on stage (the real performers would have made for quite an expensive act for any vaudeville circuit, yet it appears that their real voices are heard on the soundtrack, including Fannie Brice and Maurice Chevalier. Stopping the Show (8/12/32) – Betty is part of a vaudeville bill, doing imitations. The text does refer to the Screen Songs and the Talkartoons in which Betty had been introduced, describing her as “Winning the world”. The ad also touted the only commercial release of the song at the time, a “Hit of the Week” by Phil Spitalny’s Music. The ad brought up the song “Betty Boop”, and announced that that song was going to be featured by a number of radio personalities of the day, including Rudy Vallee, Ben Bernie, Connee Boswell, and Art Jarrett. Two of those interior pages were devoted to advertising the upcoming Betty Boop cartoon series. In the Jedition of Motion Picture Herald, Paramount Pictures bought three interior pages and the back cover for their advertising.
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